Interdisciplinary future of copyright theory

Yen

Alfred Chueh-Chin

Yen, Alfred Chueh-Chin

Law School, Boston College

Author

text

book part

1994 1994 monographic

1994

monographic

English eng

English

eng

The Construction of authorship Textual appropriation in law and literature Woodmansee Martha Woodmansee, Martha Editor Jaszi Peter Jaszi, Peter Editor text book ncu Durham London Duke University Press 1994 monographic eng On the author effect: recovering collectivity / Martha Woodmansee--On the author effect: contemporary copyright and collective creativity--Touhing words: Helen Keller, plagiarism, authorship / Jim Swan--Author/izing the celebrity: publicity rights, postmodern politics, and unauthorized genders / Rosemary J. Coombe--The pragmatics of genre: moral theory and lyric authorship in Hegel and Wordsworth / Thomas Pfau--The interdisciplinary future of copyright theory / Alfred C. Yen--Milton's contract / Peter Lindenbaum--From rights in copies to copyright: the recognition of authors' rights in English law and practice in the sixteenth and seventeenth centuries / John Feather--The author in court: Pope v. Curll (1741) / Mark Rose--Authority and authenticity: scribbling authors and the genius of print in eighteenth-century England / Marlon B. Ross--Charles Dickens, international copyright, and the discretionary silence of Martin Chuzzlewitt. (cont.) International copyright: structuring "the condition of modernity" in British publishing / N.N. Feltes--Sanctioning voice: quotation marks, the abolition of torture, and the fifth amendment / Margreta de Grazia--Broadcast copyright and the bureaucratization of property / Thomas Streeter--Authorship and the concept of national cinema in Spain / Marvin D'Lugo--"Don't have to dj no more":sampling and the "autonomous" creator / David Sanjek--Beaumont and/or Fletcher: collaboration and the interpretation of Renaissance drama / Jeffrey A. Masten--Common properties of pleasure: texts in nineteenth century women's clubs / Anne Ruggles Gere--Reading and writing the Renaissance commonplace book: a question of authorship? / Max W. Thomas--Collaborative authorship and the teaching of writing / Andrea A. Lunsford and Lisa Ede--The author in copyright: notes for the literary critic / Monroe E. Price and Malla Pollack. 0822314126 (acid-free paper : pbk.) 9780822314127 (acid-free paper : pbk.) 0822313820 (cl) 9780822313823 (cl) 93032347 159 173 pp. 159-173 ocm28853879

The Construction of authorship Textual appropriation in law and literature

The

Construction of authorship

Textual appropriation in law and literature

Woodmansee

Martha

Woodmansee, Martha

Editor

Jaszi

Peter

Jaszi, Peter

Editor

text

book

ncu Durham London Duke University Press 1994 monographic

ncu

Durham

London

Duke University Press

1994

monographic

eng

On the author effect: recovering collectivity / Martha Woodmansee--On the author effect: contemporary copyright and collective creativity--Touhing words: Helen Keller, plagiarism, authorship / Jim Swan--Author/izing the celebrity: publicity rights, postmodern politics, and unauthorized genders / Rosemary J. Coombe--The pragmatics of genre: moral theory and lyric authorship in Hegel and Wordsworth / Thomas Pfau--The interdisciplinary future of copyright theory / Alfred C. Yen--Milton's contract / Peter Lindenbaum--From rights in copies to copyright: the recognition of authors' rights in English law and practice in the sixteenth and seventeenth centuries / John Feather--The author in court: Pope v. Curll (1741) / Mark Rose--Authority and authenticity: scribbling authors and the genius of print in eighteenth-century England / Marlon B. Ross--Charles Dickens, international copyright, and the discretionary silence of Martin Chuzzlewitt.

(cont.) International copyright: structuring "the condition of modernity" in British publishing / N.N. Feltes--Sanctioning voice: quotation marks, the abolition of torture, and the fifth amendment / Margreta de Grazia--Broadcast copyright and the bureaucratization of property / Thomas Streeter--Authorship and the concept of national cinema in Spain / Marvin D'Lugo--"Don't have to dj no more":sampling and the "autonomous" creator / David Sanjek--Beaumont and/or Fletcher: collaboration and the interpretation of Renaissance drama / Jeffrey A. Masten--Common properties of pleasure: texts in nineteenth century women's clubs / Anne Ruggles Gere--Reading and writing the Renaissance commonplace book: a question of authorship? / Max W. Thomas--Collaborative authorship and the teaching of writing / Andrea A. Lunsford and Lisa Ede--The author in copyright: notes for the literary critic / Monroe E. Price and Malla Pollack.

0822314126 (acid-free paper : pbk.)

9780822314127 (acid-free paper : pbk.)

0822313820 (cl)

9780822313823 (cl)

93032347

159 173 pp. 159-173

159

173

pp. 159-173

ocm28853879

MChB English eng

MChB

English eng

English

eng